Generate Stunning Images
with Imagen 4 by Google

"Portrait of a woman, natural light, shallow depth of field"

"A city billboard that says “FUTURE STARTS NOW WITH OCTIO”, photorealistic, daytime"

"Photorealistic fantasy castle on a floating island, golden sunset sky, waterfalls cascading down, detailed stone towers, soft clouds below"

"Cute animal band playing instruments, children’s book style, colorful"

"Capture a photorealistic, cinematic medium shot of a young man sitting alone at a laundromat late at night, his elbows resting on his knees as he leans slightly forward, headphones on, eyes half-closed, lost in thought. He wears a faded denim jacket over a hoodie, with worn-out sneakers and chipped nail polish on his fingers. The fluorescent lights above cast a cool, pale glow, mixing with the soft orange reflections from a vending machine nearby. Behind him, rows of industrial washing machines spin slowly in a blur, and a wrinkled “Out of Order” sign is taped to one of them. The scene has the quiet, intimate atmosphere of a 2000s indie film, with shallow depth of field, subtle film grain, and a color palette that feels washed out yet emotionally rich. The camera captures the solitude and stillness of the moment, focused on the expression on his face — somewhere between calm and numb — as the hum of the machines surrounds him like white noise."

"Vibrant graphic illustration in the bold visual language of modern editorial fashion spreads, portraying four seated figures on a linear bench against a flat, saturated lemon-yellow background. The composition is symmetrical and tightly framed in a wide shot, emphasizing the striking silhouettes and patterned fabrics of the figures’ eccentric streetwear. Rendered entirely with clean black contour lines and filled with pure, flat blocks of vivid color, the image eschews any form of gradient or shading. Each person wears a uniquely stylized outfit featuring clashing patterns: one wears a cropped jacket adorned with orange tiger stripes over green polka-dot pants; another is wrapped in a lavender trench coat covered in swirling black paisleys; the third sports a jumpsuit filled with tightly packed crimson spirals; the fourth wears a teal hoodie layered with a transparent vinyl raincoat printed with pixelated smiley faces. The lighting is uniformly flat, eliminating shadow and allowing the patterns to dominate. Faces are simplified and expressive in posture but emotionally neutral, with small, graphic eyes and mouths lending a fashionably aloof air. The bench is depicted as a single uninterrupted black line with angled legs, anchoring the scene without adding texture. The overall mood is vibrant, curated cool, celebrating pattern collision, balance through asymmetry, and the performative art of avant-garde style."

"Hyperrealistic digital food photograph featuring an overhead flat lay of golden-yellow chanterelle mushrooms meticulously arranged in a dense, organic tessellation across a seamless matte black background. The image captures the elegant, undulating shapes of each mushroom cap and the delicate, ruffled ridges of their gill-like folds, which create a rhythmic, almost topographic texture throughout the frame. The composition strikes a balance between natural randomness and deliberate visual harmony, with mushrooms oriented at varying angles to showcase their individual character while maintaining an overall pattern. Hard, directional lighting from above casts sculptural shadows beneath the curled edges and stems, accentuating their form and lending a dramatic dimensionality to the otherwise flat perspective. The surfaces of the mushrooms are rendered in crisp, tactile detail — from the soft, velvety texture of the caps to the slightly fibrous stems, some with bits of moss or forest soil still clinging to them. The bold contrast between the deep golden hues of the mushrooms and the velvety black backdrop creates a rich, graphic visual impact, while the natural irregularity of their shapes keeps the image rooted in the raw, imperfect beauty of forest-foraged food."

"This richly detailed close-up photograph captures a vintage-style block of handmade butter wrapped in lightly crinkled waxed parchment paper, resting on a worn wooden kitchen counter bathed in soft, dappled morning light. The paper is subtly translucent and slightly ambered with age, gently hugging the irregular form of the butter beneath it, with faint traces of pressed lines and imperfect folding, suggesting it was wrapped lovingly by hand. Printed directly onto the parchment in faded forest green ink is a rustic, mid-century-style graphic: a cheerful cow rendered in a loose, gestural line-art style, grazing under a wide oak tree beside a winding country fence, with tufts of grass and curling clouds framing the scene. Above and below the illustration, bold yet friendly lettering reads “Woodland Creamery” and “Hand-Churned Butter,” possibly in a rounded serif or slab-style font, slightly worn in places to hint at long use or traditional printing techniques. Near one corner, a hand-stamped date is faintly visible in red ink, indicating freshness with a personal touch. The butter itself peeks through at one edge, rich and pale yellow, with a soft, uneven edge suggesting it was cut from a larger batch. The surface it rests on is textured and timeworn — perhaps old maple butcher block with knife marks and a honeyed patina — reinforcing the warmth and authenticity of the setting. The lighting highlights the faint gloss of the waxed paper and the creamy tone of the butter, while the shallow depth of field subtly blurs a backdrop of a ceramic mixing bowl and a folded flour sack towel, placing full visual and emotional emphasis on the lovingly presented dairy product and evoking a sense of homestead pride, simplicity, and slow-made nourishment."

"A charming village harbor scene crafted entirely from yarn and textile techniques, where gentle knitted waves in varying shades of blue ripple across the bay using garter stitch and short rows to simulate movement and depth. Along the water’s edge, a cluster of crocheted cottages with pastel-colored facades and stitched window boxes perch on a knitted cobblestone quay made from textured grey yarn. Small boats made of felted wool float in the harbor, their sails crafted from linen-textured yarn and billowing softly as if catching a breeze. A curved lighthouse, knit in crisp red and white stripes with an embroidered golden light at the top, stands watch on a felt cliff, surrounded by tufts of sea-grass made from loop stitch. Seagulls created from tiny scraps of white and grey fabric glide above, suspended by nearly invisible threads, and a miniature pier stretches into the water, complete with tiny yarn fishermen holding rods made from toothpicks and thread. The sky above is knit in soft gradient blues, dotted with needle-felted clouds, and a radiant sun stitched in glowing yellow wool beams warmly across the entire scene, infusing the tableau with a handcrafted sense of serenity and seaside nostalgia."

"“Design a cinematic movie poster featuring a lone man standing in the middle of a desolate highway at dusk, viewed from behind. The sky is painted with dramatic clouds in rich orange and purple hues, and the fading sunlight creates long shadows across the cracked asphalt. The man is wearing a dark trench coat fluttering slightly in the wind, and is holding a small leather suitcase in one hand. His silhouette is framed against the glowing horizon.” “The title of the film, ‘THE LAST EXIT’, appears in bold, serif white letters across the top, with a subtle glowing effect. Beneath the title, in smaller text: ‘A Film by R. Walker’. At the bottom of the poster, include a release date: ‘Coming Winter 2025’. The overall style is moody and minimalistic, with a shallow depth of field and rich cinematic lighting, evoking a sense of mystery and solitude.”"